The situation for India's more than 260 million agricultural workers is dire. Nearly 30 people in the farming sector die by suicide daily, according to the most recent figures available, typically due to overwhelming debt. Indeed in 2020, more than 10,000 people in the agricultural sector ended their own lives, according to government data. India's economic backbone -- its farmers and their families -- is in collapse. They face crushing pressures: insurmountable debt, environmental degradation, and extreme rates of cancer linked to exposure to pesticides. This strain is compounded by climate change and extreme weather -- from ground water depletion to water shortages and crop damage due to rising temperatures -- effects which have been tied to increasing suicides in India. Farming is a notoriously economically unstable industry globally, but farmers in India find themselves buried under densely layered problems. Many are subsistence farmers who are drowning in the volatility caused by the Green Revolution which began in the 1960s as a way of industrializing the agriculture sector with high yielding seeds, mechanized tools and pesticides. In some cases, farmers cannot work their land due to illness linked to the revolution's pesticides and fertilizers. They are dealing with deep-rooted battles against multinational corporations. And all the while having to take out loans each year to make the agricultural cycle possible. And then, when farmers are unable to get loans from legitimate banks, illegal moneylenders -- or loan sharks -- step in, charging exorbitant interest rates and creating an inescapable debt-trap for farmers, in some instances pushing them to suicide. The state of Punjab where we visit, is known as the breadbasket of India.
The worst of the carnage has so far been confined to the city’s northern suburbs, which is where Dondyuk was wounded on March 6. That morning he set out by car to the suburb of Irpin, along with two other photographers. To stall the Russian advance,killed by Russian bombs, they will imagine their own children. Our children are the same. Our cities look the same. They will see themselves in us. They will feel it.” The doctors relented, and that night Dondyuk took a photo of the boy, whose name, reporters later learned, was Semyon. He was still in critical condition at the time. He died soon after.
The first patient to arrive at the main children’s hospital in Kyiv after the Russian invasion was a young boy named Semyon, photographed on Feb. 28. His family’s car had come under heavy fire, killing his parents and his sister. The boy later died
Maxim Dondyuk
It was one of the moments when Dondyuk broke down. Over the past eight years, he has photographed many aspects of the war between Russia and Ukraine. He has seen and documented it from both sides of the front. For Dondyuk, 38, the story was always personal, but never more than over the past few weeks. His mother has been forced to flee the nation as a refugee. His father lives in a town under Russian military occupation. “My city, where I lived for years, is being destroyed,” Dondyuk says of Kyiv. “I’m not coming at this from afar. This is my pain. This is my country.”
By the second week of the war, he says, the initial phase of panic in the capital subsided. Trenches and checkpoints appeared in residential neighborhoods, next to schools and playgrounds, as Ukrainians prepared to fight the Russian troops from street to street. Many people fled, but many others stayed to help, transforming the city into a wartime metropolis—far emptier, more somber, but full of purpose and resolve. Those who could not volunteer to fight have spent their time helping those who did, cooking meals, filling sandbags, tending bonfires, delivering supplies.
Read More: The Man On Ukraine’s Digital Frontline
The worst of the carnage has so far been confined to the city’s northern suburbs, which is where Dondyuk was wounded on March 6. That morning he set out by car to the suburb of Irpin, along with two other photographers. To stall the Russian advance,
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