Still life photography or still life, in the history of European art tradition, refers to the representation of motionless objects (flowers, fruits, dead animals, glasses, instruments). Their selection and grouping were based on content-related (often symbolic) and aesthetic aspects. These representations developed into an independent genre of painting at the beginning of the 17th century in the Baroque era. A distinction is made between the objects shown; This results in the subspecies of flowers, books, fish, fruit, breakfast, hunting, kitchen, market, musical instruments, vanitas or still life in arms. The transitions to the picture genres interior, animal, or genre are sometimes fluid.
Concept and concept history
When considering still life and its development, a distinction must be made between a broader and a narrower generic term. All representations of object compositions and still life-like arrangements are considered to be still life in the broader sense - especially before the establishment of still life painting as a separate genre of painting in the 17th century. Still lifes in the broader sense have most likely existed at all times and in all cultures. These include the paintings on silk and porcelain from China and Japan as well as the decorative mosaics and wall frescoes of antiquity.
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Photographic still life
Photographic still lifes are usually referred to by their English name "still-life photography". This is understood to be the inclusion of objects. In addition to the artistic still-life recordings, there is a separate group of purely technical material or product recordings, as is often found in so-called "applied photography" (e.g. advertising). Photographic still lifes were among others. Created by John Blakemore, Imogen Cunningham, Robert Mapplethorpe, Tina Modotti and David LaChapelle.
At that time, not only portrait photography was based strongly on the old masters of painting, but also still life photography, which made photography much easier for the photographer. Photographic still lifes are often referred to simply as "still-life photography". As in classical painting, it is also about the depiction of immovable objects, such as fruit, vegetables, lamps, etc.
Still life photographs
In the history of European art, one traditionally speaks of a still life when usually smaller objects are arranged according to content and aesthetic aspects.
In addition to the artistic photography of still lifes, there is also purely technical object photography or product photography as a separate style, as is often found in advertising (advertising photography), for example.
Technical photography
Photography of technical products is often a challenge. Aesthetic chrome-plated surfaces, complex technical functions - there is often a lot to visualize. A good picture assumes that the photographer has a good understanding of the product and its company. We always take the time to understand your product philosophy, your company history, your goals, and your visions.
Ideally, the photography of technical products hardly differs from the photography of, for example, designed jewelry. The image results can be correspondingly high quality.
High-quality product photography is a truly broad field. High-gloss lacquer surfaces - which require reflections, matt textures - in which light gradients emphasize the three-dimensionality plastically, grazing lights - work out the details; Glass that needs long-drawn grazing light or the most even transmitted light, precious woods, metal, chrome, gold - every material has its own lighting needs in order to develop in the best possible way.
It is actually the work with the light that defines the professional image!
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