To many people, Persian carpets with intricate patterns and vintage patterns represent the ancient Oriental rug. From the 15th century onwards, Turkish tapes gained a growing number of collectors among the wealthy European merchant classes. Identified and tested depending on where it is made, how and by whom, the Turkish rug, like all other rugs in the East, belongs to the city, town or the origin of the wandering. Other commercial products, such as elaborate silk flower patterns, made near Istanbul in Here KE and inspired by Persian and Ottoman court carpets, also satisfy the Western taste of Turkish rugs at that time and still do today.
But modern collectors are highly valued by mates weaving for centuries local women throughout Turkey. These make up most of the Turkish carpets in the collection. However, some 19th-century village mats were also marketed. Mats are still an important source of family income for these agricultural communities. Nomads, though dwindling in numbers, also continue to weave rugs, which are widely used in key colors and depicting images depicting their Central-Turkish Asian heritage. Compared to other Oriental rugs, the rugs of the Turkish valley are distinguished by a combination of vivid and unusual colors and pleasing geometric designs.
Signs on the Turkish carpet tell of what the ancients thought were important, what they feared, and what they dreamed. Many symbols on Anatolian carpets are based on legends that are still believed today. The most common myth in Turkey is Evil Eye. It is believed that some people have the power to cause harm or even death by simply looking at their Evil Eye. People with blue eyes are more likely to have a bad eye than others. One of the best ways to prevent injuries is to look back with the Evil Eye logo. In weaving, four-dimensional diamonds are the most common symbol of the eye.
Another common symbol is Hay at Abaci, a tree of life. The tree represents the hope of life after death. Every culture in the world has a unique tree of life - such as cypress, date, palm, pomegranate, fig, olive, beech, and oak. A young woman placing the stars on a carpet shows her happiness. The stars on the carpet usually have the same number of points, because it is difficult to weave unequal numbers. A star on the carpet may indicate the prospect of fertile fields or of the prospect of procreation. Archaeologists have unearthed several statues of a mother-goddess in Anatolia, with a star representing the uterus.
Women in the Anatolian region of Turkey have used mythological symbols for thousands of years to express their dreams and fears. Long ago, they weaved their socks with different markings to express their feelings about a loved one. The oldest monuments were created, 9000 years ago in CAT-AL ho yuk, an ancient city in Anatolia. Archaeologists have unearthed evidence that, since then, many other cultures have entered and exited the area using the same symbols. The province of Anatolia was like a resting place for travelers from all over the world. But instead of living in Anatolia stone fortresses (called caravansary) for weeks, groups of people lived for centuries. Eventually, they adopted Anatolian culture and symbols.
There are many signs. Many of them represent the desire of a young woman for the joy of marriage, some speak of the desire for a successful hunt. As Anatolia forms such a waterless region, waves are a common symbol of high water levels. If you agree with what Anatolian symbols mean, you are familiar with the weaver's wishes and his cultural myths. He is looking at the creation of art. One soon finds out that Turkish carpets are more cultural symbols than the lovely floor coverings Get the article, and they have survived as long as the Turkish people themselves.
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