1.The Fly (1986)
Director: David Cronenberg
Star: Jeff Goldblum, Geena Davis
Coming from the '50s B-movie' scene, David Cronenberg's belly-stirring belly is 'a man interfering with the natural image' of sci-fi. Jeff Goldblum is Seth Brundle, an avid scientist who invented teleportation pods - and accidentally associates himself with an internal fly trapped in the second half while exploring them. Look at the big change as Brundle quickly collapses into a Brundlefly - a destructive, acid-emitting beast that lives deep, miserable as a human being. As a result of the horrible creature that lasts a long time in memory, the film remains true to its historical roots - the destructive stumbling blocks that come from playing God.
2.Minority-Report (2002)
Director: Steven Spielberg
Star: Tom Cruise, Samantha Morton, Colin Farrell
Philip K. Dick’s cerebral sci-fi science sometimes proves the challenge of adaptation. Still, Steven Spielberg brought one of his cinematic works to the screen without worrying about being completely honest. Tom Cruise in the future police officer John Anderton, who is part of a pre-crime unit where witches can predict crime before it happens - they even predict that Anderton himself will kill. Spielberg paints a picture of a future where mindless ads follow us (not science fiction), self-driving cars abound (increasingly available), and police retreat around jetpacks (maybe a few decades now). It is full of action and equally intelligent, a thought-provoking blockbuster - and it has developed touch screens that control touch. Nifty.
3.The day the earth stood still
Director: Robert Wise
Star: Michael Rennie, Patricia Neal
Usually, an offshore visitor comes to Earth for movies to blow things up. In 1951 by Robert Wise, Michael Rennie's Klaatu and his attractive robot partner Gort (Lock Martin in a metal suit) approached terra firma to tell humanity to hit his neck. Intergalactic society has no choice but to reduce it to atoms. With its global message of peace and unity proclaimed in the aftermath of World War II and the aftermath of the atomic bombshell, The Day Earth Stood is still haunting, has had a profound effect on its images, and is a phrase full of pop culture as a whole: "Klaatu Barada Nikto."
4.Avatar
Director: James Cameron
Star: Sam Worthington, Zoe Saldana, Sigourney Weaver
Iconic sci-fi films create a whole new world - and a few like retinae - glitter like Pandora, the Avatar planet of bioluminescent flowers, blue animals, and the formation of giant rocks. Taking mech-suits from the Aliens, the colorful creatures of The Abyss, the epic size (and the love story in the middle) of the Titanic, and the bright rise of technology, well, all he did, James Cameron's record-breaker is no more -JC. There is a well-known B-movie quality in the hot dialogue and Dances With Wolves-inspired plot. Still, everything else is an A-movie blockbuster, in a story where people are alien invaders, consciousness is transmitted, and science and nature are equal and contradictory forces. It is not uncommon to see the entire cinematic world come to fruition - and while Avatar's recurrence continues in some corners, it would be foolish to bet against Cameron's assassination in the upcoming sequel.
5.Artificial intelligence
Director: Steven Spielberg
Star: Haley Joel Osment, Jude Law
The creative story of AI saw it as an exciting collaboration between two cinematic greats - it was the long-term work of Stanley Kubrick, who wanted to turn Brian Aldiss's short story Supertoys Last All Summer Long, which was then passed on to Steven Spielberg, who later co-starred on the screen after his death. Following a frustrating development. Kubrick had never believed a child could faithfully play a foster boy David, but Spielberg had a secret weapon in Haley Joel Osment of The Sixth Sense, which went from dead people to bot people. If Pinocchio’s story of a child robot-kid looking for a real human connection is unheard of and Spielbergian, a film much cooler and stronger than his usual money - human brutal explosion, techno violence, and the end of melancholic ‘fairytale.’ It is distinctive but always an attractive combination of Spanish and Kubrickian.
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