How to analysis the poem 'Small Towns and The River'

Analysis, Stanza by Stanza  

 One Stanza 

Small Towns and The River’ by Mamang introduces the first paradox of the poem. The poet says the “small towns” remind her of nothing other than death. She lives in a town amidst the trees, but the life there is the same. According to the poet, living in the town is a monotonous journey that ends at the hands of death. Here, the dust is a synecdoche that presents another symbol of death in this section. Moreover, the howling of the wind creates a gloomy mood. Here, the use of onomatopoeia resonates with a pessimistic note.

Stanza Two

'Small Towns and The River’ by Mamang presents the theme of death in the second stanza. Just the other day, someone dies in small towns. The news makes the poet sad, and she mourns the loss. After seeing the sad wreath lying on a dead person’s bosom somehow reminds the poet of her mortality. Here, the poet presents the tuberose as a messenger of death. Moreover, there is a repetition of “Life and death” in this stanza. It refers to a continuous cycle of life and death. These two things are temporary. According to the poet, “only the rituals are permanent”. Here, the poet turns the maxim, “Nothing is permanent except birth and death”, upside down. The last two lines reflect the poet’s disillusionment about life after seeing many deaths.

Stanza Three 

In the third stanza of ‘Small Towns and The River’ by Mamang, the poet presents a contrast. Whereas in the previous section, she discussed mortality. In this section, she highlights the permanence of the river. She says the river has a soul. In summer, it flows across lands. Here, she uses the metaphor of “torrent of grief” to portray the river’s course in the dry season. Moreover, the poet personifies the river to invest it with the ideas of holding the breath and seeking something. She thinks as if the river is an explorer who seeks the land of fish and stars. This imagery reflects the course of the river water and its flow.

Stanza Four

In the fourth stanza of ‘Small Towns and The River’, Mam ang  reiterates, “The river has a soul”. The river knows about the towns where death lays her icy hands. Her knowledge isn’t limited to towns only. She knows the first drop of rain that rejuvenates the dry earth and the mist on the mountaintops that circles the mountain like a scarf. Last but not least, she is aware of the immortality of water. In this way, the poet also immortalizes the river.

Stanza Five

The fifth stanza of ‘Small Towns and The River’, presents another contrast. Firstly, Mamang  refers to the “shrine of happy pictures” of childhood. Childhood is the beginning stage of life. The happy pictures of one’s childhood remind her of the purity of the soul at its dawn. That’s why she compares the childhood days to a shrine. In contrast, small towns grow anxious about the future. It’s the poet’s anxiety about death that eagerly awaits in the future. In the following lines, the poet refers to the eternity of the soul. The hope of shedding off the mortal burden and ascending to the “house of the sun” in the “golden east” revives the poet with new energy.

Stanza Six

'Small Towns and The River’ by Mamang, the meaning of life and its importance in this short stanza. According to the poet, life is like the sunlight that warms the cool bamboo. It’s temporary and still beautiful. Moreover, the “cool bamboo” is a reference to the body and the sunlight is a symbol of the soul. Apart from that, the poet says sunlight is important to any living plants. Likewise, life is also important for keeping the spirit of the universe alive.

Stanza Seven

In the last two lines of ‘Small Towns and The River’, Mamang transplants her dead thoughts from her mind. She says living in small towns has made the poet strong. Now, the thoughts of spirituality and eternity are in her mind. Like the poet, others of the “small towns” only wish to “walk with the gods” after their death. This section highlights the poet’s belief in the afterlife and eternal bliss. Apart from that, there is a repetition of the “w” sound in the last line. Such a harmonious rhythm reflects the poet’s peaceful state of mind.

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