For the first time in a long time, Mega fans are ecstatic to see both Father and Son on the same screen. Although general audience word-of-mouth looked to be encouraging, Acharya's film received mixed reviews. There are a few instances in which the audience is entertained.
Until the evening, it was evident that the conversation was improving, as family audiences began tuning in to their favorite hero's evening broadcasts. Koratala Siva, a blockbuster director, directs Acharya. Acharya is produced by Niranjan and Anvesh under the Matinee Entertainments brand. When you watch the movie, however, you'll wonder how the director was able to pull off this casting coup with such a dull script.
I expected a dinosaur or two to lumber into the jungle where senior and junior are playing at being Naxals. The film begins with a legend that unfolds 800 years ago and moves to the present, but the ideas within it are so outdated that I expected a dinosaur or two to lumber into the jungle where senior and junior are playing at being Naxals.
Acharya is set in the temple town, where there is no longer any dharma due to the actions of Basava and Bad Man's Boss Rathod (Jisshu Sengupta), and the hamlet of Padhagattam, where several fair-skinned, prosperous-looking junior actors sport 'tribal' tattoos to look the part. While the people live by 'dharma' and appear to produce concoctions all day (literally, every shot of a person shows them producing herbal medications), a huge portion of the population in Dharma lives a sinful life.
Even if you ignore the fact that Koratala hasn't bothered to try to represent the people with some respect for their culture and way of life (they're easily and conveniently lumped in with the people's Hindu practices), there hasn't been much thought put into examining what 'dharma' means.
When (Chiranjeevi) arrives, for example, the wrinkles his nose at how things have gone downhill. He notices a worker negotiating with a client in one of these situations. On the other hand, is perfectly delighted at swinging his leg in a crude 'item' song (with Regina).
Chiranjeevi is a Naxal for a reason, but there's no suspense or intrigue in the tale. We know he's a Naxal because he wears a red cloth around his neck, greets everyone with 'Lal Salam,' and shoots security troops. Despite Chiranjeevi's towering screen presence and acting ability, One of the key characters, but the storyline is so trivial that he has little impact. While Bad Man defies all laws of the land, Acharya defies the laws of physics. He flings people into the air, weaves miraculous knots out of ropes, and generally acts as if gravity doesn't exist.
Siddha is played by Ramcharan, a young man raised by Ayurvedic. He spends his days talking about dharma, and he falls in love with Nilambari, a singer and the daughter of the head priest. Pooja appears like a ramp model in fashionable blouses, but if we can believe Chiranjeevi's antics, why can't we believe her appearance, which is nothing like the part she's playing? The love between Siddha and Nilambari has to be the most plastic thing in the natural refuge where this narrative is located.
You're at the end of your tether by the time the film reaches the last segment and issues like why a Naxal with communist ideas uses crimson from a temple to signify his commitment to the ideology have vanished from your mind.
Average Movie
Expecting more from Siva
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