Onur Yüce Gün, Moderator: You generally get a question or an ambiguity in a lot of your work, and that's because the creative process of art and design is inherently ambiguous. Do the ambiguities arise because of generative AI?
The Memorial Cemetery in Mostar, Bosnia and Herzegovina, was destroyed in the summer of 2022, according to Ana Miljački. It was a Yugoslav memorial built after World War II, and we wanted to find a method to keep the principles it had stood for. Using a triptych format that plays on three screens and a soundtrack, we assembled video content from six distinct monuments and used artificial intelligence to create a nonlinear documentary. We created a synthetic memory and a method to implant those values and memorie
Expression of Self
moderator On a daily basis, the majority of us utilize computers, but our bodies and senses are how we see the world. Real experiences are produced by design and art. They are audible, visible, and tactile. Is our sensory interaction with AI systems the same as it was before?
Miljački: We operate in two dimensions as long as we are dealing with images. Yet in my opinion, we were able to create an impact on a number of levels—levels that when combined result in something more than just a two-dimensional image flowing through time like the project we worked on surrounding the Mostar memorial. Our creation of a rich sensory experience that transcends the two dimensions of the screen was achieved by combining pictures and sound design to create a spatial experience in time.
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