A Man Writing Love Stories In who Woman S Publishing World

My publishing journey was so unusual that friends and the media suggested that I write about it, especially the part about being a man who writes love stories to a woman. But it’s not just the genre. All the publishing world and the agency I came across were dominated by women. Sounds interesting enough? All right. There's just a little episode. Now as I sit in front of the keyboard, I find that there is not much I can say that is amazing. Most of the female organizers treated me well, and I got along well with those who offered me a place to open. If anything, being a man might give me some benefit, you know, from a new perspective. I was not just a male engineer (of all things!), I had no writing skills available, I had the courage to come up with a love story, but I was promoting it as a unique love story, written with love at the highest level. . However, at least it made them look up at their keyboards. Even though it was clear across the entire ether of the internet, I heard their skeptical smile. I have had the benefits of being gentle. Women have always been my role model, and I have always loved the spirit and status of a woman, the respect for her natural calling, the complexity of her romantic feelings. As a result, I always have a good working relationship with women. In addition thank you. Everything I ever learned about romantic love at the highest level I learned from a woman. Another benefit I had was this: I had read love stories for decades and knew the intricacies and genre of the genre. At one point, an editor who was impressed by my example chapters started an email conversation that reached a telephone conversation. I knew this was a curiosity that brought an opportunity to my door. He was a Love Letter and Love Editor, so I was nervous as I dialed his office number. I could see that she was surprised and happy to meet a man who could discuss the plot of love story structure and character imitation from dangerous elements in portraying heroines as less than physically imperfect, possessing theories to lead to loss. I knew before the conversation was over that he was going to give me a contract. I not only talked about his booking about my characters, but I did it in the professional jargon he knew. As a result, he knew he could work with me on the planning part of the project. With all that being said, let me give an opinion based on my experience. On the question of whether the bar is high for the person writing this genre, I would say yes, at least in a sense. If you are a man who writes about middle love, I think it would be harder for you to be published than a female writer who says nothing. But if you are a man who produces things that fit the top ten percent of the genre, then booking female planners that they naturally have for you will not matter. You will get the right consideration. Know your target audience. That counts a lot. And be sure to protect your chosen theory of how you spin your characters and how you plot your plot.